So, pour yourself a shot of bourbon (Connery preferred it to martinis anyway), and watch the outlaw Bond. Watch the moment the original king came back to remind the world what a dangerous, tired, and still damn-cool James Bond looks like. And remember: In the world of Her Majesty’s secret service, you truly should never say never again. Never Say Never Again is more than a footnote. It is the ultimate “what if” of the 007 saga—a flawed, scrappy, and gloriously bitter middle finger to the establishment. For fans of legal drama, cinema history, and Sean Connery’s rugged charisma, it remains essential viewing.
The results were a statistical draw. Octopussy grossed $187.5 million worldwide. Never Say Never Again grossed $160 million. Given that the renegade film cost less to make and Connery took a massive upfront salary, it was considered a financial success. Critically, reception was mixed. Critics loved Connery’s charisma and the novel “aging hero” theme but decried the sluggish pacing and cheap-looking production design (the film feels more like a 70s TV movie than a lavish Bond epic).
In 2013, after decades of litigation, the rights to Never Say Never Again reverted to MGM (the studio behind EON’s Bond). For the first time, the “rogue Bond” was officially allowed to sit alongside Dr. No and Skyfall in the home video box sets. Today, it is legally recognized as a valid part of the 007 filmography, albeit the black sheep of the family. For modern audiences raised on Daniel Craig’s brutal, emotional Bond, Never Say Never Again feels surprisingly prescient. Craig’s Bond in No Time to Die (2021) is also an aging warrior, weary of the game, facing irrelevance. Connery did it first, in a cheap wig, with a video-game-obsessed villain. Never Say Never Again -James Bond 007-
Connery, ever pragmatic, famously quipped: “I’d already said ‘never again’ so many times that my wife told me to shut up and take the money.” The title, Never Say Never Again , was a direct, self-deprecating jab at his own famous declaration. While EON was producing Octopussy with Roger Moore (a film that leaned into campy, circus-based action), Never Say Never Again went back to basics. It is, essentially, a modernized (for 1983) remake of Thunderball .
This “geriatric Bond” (a harsh but intended reading) works brilliantly because it adds stakes. We feel his exhaustion. The final underwater fight—shot in the actual Bahamas with poor visibility and dangerous currents—looks less like a ballet and more like a desperate, ugly struggle for survival between two old men (Connery and a 50-year-old Brandauer). The director was Irvin Kershner , fresh off the massive success of Star Wars: Episode V – The Empire Strikes Back . Kershner was a character-driven director, not an action set-piece conveyor belt. He brought a grimy, textured realism to the Bond world. So, pour yourself a shot of bourbon (Connery
The plot follows the classic SPECTRE playbook: The terrorist organization, led by the grotesque and lobotomized (played with theatrical menace by Max von Sydow), steals two nuclear warheads. They demand an impossible ransom from NATO, threatening to obliterate a major city. An aging James Bond (Connery), initially relegated to a remedial physical training course (more on that later), is reactivated to track the bombs down.
The film is a time capsule of ego, legal absurdity, and creative risk. It is not a great Bond film. It is arguably not even a good Bond film by the standards of Goldfinger or Casino Royale . But it is a fascinating Bond film. Never Say Never Again is more than a footnote
Along the way, Bond encounters the (Barbara Carrera), a gleefully sadistic SPECTRE agent who rivals Rosa Klebb for sheer unhinged sexuality and violence. Carrera’s performance is a masterclass in camp villainy—she kills a man with a flick of her poisoned earring and seduces Bond while piloting a horse. The official Bond girl is Domino Petachi (Kim Basinger in an early, luminous role), Largo’s kept woman and the sister of the stolen warheads’ pilot. The “Old Man Bond” Theme: A Midlife Crisis at 10 Megatons What distinguishes Never Say Never Again from every other Bond film is its unflinching focus on mortality. By 1983, Sean Connery was 52 years old. He looked fantastic, but he was no longer the fluid, violent brute of From Russia with Love . The film weaponizes this.
