Make It Wit Chu Piano Sheet Music -

So, download the sheet music, set your metronome to 70, loosen your shoulders, and learn to make it wit chu. [Disclaimer: This article is for educational purposes. Please purchase official sheet music to support the artists, including Josh Homme, Troy Van Leeuwen, and the estate of Mark Lanegan.]

Play the bassline alone with a metronome set to 70 BPM. It must be robotic and consistent. You should be able to look away from your left hand.

Unlike flashy, note-dense piano solos, this song teaches you the value of space , groove , and tone . It is the song you play when you want to lower the lights, turn down the talk, and just... vibe. make it wit chu piano sheet music

The song is most commonly played in G major (or its relative minor, E minor). However, live versions often shift, but standard sheet music is in G. Tempo: Slow blues ballad (approx. 70 BPM). Time Signature: 4/4, but with a heavy swing feel. The Chord Progression (Verse & Chorus) The genius of this track is that the verse and chorus use the exact same chord progression, but the rhythm and aggression change.

Listen to the sheet music’s suggested fingering for the solo. You will likely need a lot of thumb-under passes to keep the smooth, legato feel. To mimic the organ's sustain, use the pedal deeply here, even if it blurs the notes a bit. A little blur sounds like a rock organ. You have your PDF. Don't just sight-read the whole thing. Follow this 20-minute drill. So, download the sheet music, set your metronome

Play the vocal melody in the right hand. The sheet music will have the stems pointing up (melody) vs. down (harmony). Focus on phrasing. Breathe between the lines of lyrics.

Play only the right hand chord voicings (the 7ths). Do not play the melody yet. Stab the chords on beats 2 and 4. Count out loud: "One, Two , Three, Four ." It must be robotic and consistent

When you hear the sultry, sliding bassline and the laid-back, almost conversational vocal melody of “Make It Wit Chu,” you might not immediately think of the piano. After all, this track—famously by the desert rock giants Queens of the Stone Age (QOTSA) and originally penned by frontman Josh Homme for his side project, The Desert Sessions—is steeped in fuzzy guitars, a swaggering blues structure, and an unmistakable Hammond organ purr.